“Frankly my dear.....

....I don’t give a damn.” One of the most famous movie quotes in history, by the time you get to this line in the movie and Rhett finally says it, you just want to stand up and cheer! Finally someone tells Ms. Scarlett they have had enough! And like I said in my last post, he’s my favorite character because he just doesn’t take anyone’s crap! But most of all he’s a survivor above all else and that really appeals to me.

If you know anything else about Rhett Butler, you know that he looks sharp as a tack so I want to impose that with my stitch choices. We already stitched his jacket and skin tone. Now what to do with the color of his shirt? It’s a small area and I wanted the fabric to look like a small check, so I stitched in a skip tent pattern but as a cross stitch in Pepper Pot, color Salt 02 and by doing the stitch as a cross stitch, the stitch appears more square reinforcing they checkered affect. To stitch his eyes, I used a Kreinik (brown) metallic #12 Braid 002. The pupils of Rhett’s eyes on this canvas were painted all black. I thought it made him too sinister looking so I replaced a few stitches with the brown metallic to slightly soften the look. I stitched the mustache and the eyebrows in long and short style diagonal stitches in DMC pearl cotton 5 in black (310). I like the contrast of using a different thread for facial hair than the hair on his head.

Rhett has that dark and handsome thing going on and he has that unflawed jet black hair. I really wanted it to look dark, thick and slick. When you want that dense look in the best thin in my opinion to use is Rainbow Gallery’s Flair. I used black (F501) and just more than a touch of light gray (F591). While we only need a touch of the light gray — and we could have done without— it makes him look distinguished and it helps break up that expanse if black so it’s not too one-note. Similar to how I stitched Ashley’s hair, I found my part line and drew a line with blue dressmakers chalk (which is in a pencil form). I then stitched long and short in both directions leaving the vertical row for the part unstitched/empty. I stitched down the right side first then I worked from the top down on the left side in the black. Once I got to the silver streak, I had both colors going in separate needles at the same time. I will often do this as I find it an easier way to shade. Remember though to maintain good thread management so you don’t get tangled up on the back side. Once I stitched the bulk of the hair, I then went back at the end and stitched tent with the black Flair over the empty vertical part row. I find black much more forgiving when doing hair. It’s so dark and dense it hides a lot of stitching flaws so if you’re cautious about trying “Flair for hair” (I love how that rolls off the tongue), I recommend trying it in black for your first attempt.

As soon as I saw the flower in his lapel, I knew I had to stitch it as a woven ribbon rose. I think it’s rather busy how it’s painted but if you use the right ribbon and simplify, it could really be a feature. When doing woven ribbon roses, you need the appropriate sized ribbon and a matching thread—floss or pearl cotton is fine is that’s all you have but silk ribbon is just luscious. You probably won’t see your thread but having a decent match helps disguise it if it peaks through. I am using Planet Earth Fiber 4mm ribbon in the color Lollipop 011 which has a little over-dyed edge which will look especially nice once it’s woven into a rose. Using 3 strands of DMC 3687 I made a circle of 5 “spokes” in a circular pattern. On smaller flowers you can use 3 or on a larger you can do 7 or 9 but it has to be an odd number so that’s your most important take away. You don’t want your spokes too loose or too tight, remember these are going to create your petals and you don’t want them so tight they over wear your ribbon. Below are my spokes:

Attach your ribbon in the back either by burying it under existing stitches or piercing it with your needle and come up one canvas thread from the center. I tend to like to work clockwise but you can work in either direction as long as you keep going in the same direction. You then go around the clock weaving over and under, over and under. Keep going round and round and as you do, manipulate the ribbon a little so you get some nicely shaped petals. Once the flower seems pretty full, keep going until you make sure you can’t see any of the spokes’ thread and when you are satisfied with your rose, poke your needle under a fat nice petal through to the back of the canvas and end your thread as your normally would when working with ribbon. And here’s my finished rose.

  

If my description wasn’t detailed enough, Sarah Homfray has a great instructional video HERE. If you aren’t familiar with Sarah, she has taught for the Royal School of Needlework and is an enormously talented embroidery teacher. Many embroidery videos can be easily converted to needlepoint especially if you aren’t afraid to pierce the canvas (there isn’t a law against it you know), so if you ever want to try a new to you technique and can’t find a needlepoint video, I highly recommend looking at embroidery videos to help just remember you want the idea of it not the exact science (because this type of needlework work isn’t).

While we’re on the subject of silk ribbon, let’s work on that ascot. Now men’s fashion is not usually my thang but in reviewing some images of Rhett’s character, he has an array of neck adornment. Traditional ties, bow ties and neckerchiefs. I’m going for a broad silk necktie look, not to be confused with the narrower necktie that we’re used to today. To get the effect I am looking for, I decided to use River Silk ribbon in 10mm in color 310. I stitched a couple of long directional stitches about half way down and then long directional stitches on top of those to fill in the length. The stitches that go only about half way provide subtle padding and help with coverage towards the top. With a ribbon this wide, keep a light tension, don’t pull the ribbon to much, let it breath and billow on its own but don’t let it twist, use a laying tool to lay it flat. I prefer one with a rounded tip, not sharp for ribbon work. Then I used The Collection Designs Swarovski Flatback crystal in color 3700 6mm color Crystal which is a gorgeous irredentist purple/pink/green with a single The Collection Designs miyuki size 11 seed bead coincidentally enough in color crystal as the tie tack. The colors in this crystal are perfect for the look I want. It is subtle without being garish, just what it needs. And while I am mentioning The Collection Designs (also know as Embellishing Plus for their crystals, beads, etc.), they also make an awesome beading thread that is totally invisible, yet it’s very strong, and absolutely will not break or stretch. I originally purchased it for beading, which it’s great for, but I also use it for couching especially when I want something to appear to just float on the canvas or if it’s a heavier component, it’s what I always turn to. I would normally wait and do my ribbon and beading as the last components of my design but I’m trying to work in sections for the sake of the blog readers so do as I say, not as I do.

My version of Mr. Rhett is now complete. I think this is the perfect example that proves you don’t have to do anything outrageous to bring a character to life. He looks pretty damn (there’s that works again!) suave, if I do say so myself!

We are chipping away at our Gone With the Wind canvas and like the ladies in the mid-afternoon at the barbecue, I need a nap, although I guarantee if I snuck out, I would not be whipping a vase at Rhett’s head! I’d sense his presence anywhere. Who will make their presence known next? You’ll have to stay tuned to find out!

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“Heaven help the man who ever really loves you”....

Bet that wasn’t the quote you thought I was going to lead in with, but it pretty much sums up the whole story. When I think of all the unforgettable characters in Gone with the Wind, Rhett Butler has got to be my very favorite. I mean a lot of us are attracted to the bad-boys but he’s not just that, I think he’s multi-faceted in comparison to many of his fellow characters. Let’s face it, everyone else is pretty consistent. Scarlett is selfish, vain and completely self absorbed, Ashley always his wishy-washy idealist self, Melanie the sweet, angelic one and Mammy’s just trying to keep her attitude at an appropriate level. But Rhett, on the other hand, one moment he’s bringing trinkets to Scarlett (and in the book to Miss Pittypat and Melanie too) another a hardened blockade runner but in the midst of a sinking south, he’s the only character with the gumption to tell it like it is — whether you're going to like what you hear or not. In some ways I find him more gentlemanly than the illustrious Ashley, at least he respects women enough to be honest with them. Let’s look at all the great one-liners Rhett has, shall we?

 

I mean those are some unforgettable lines! My personal favorite is the one about being kissed and often and by someone who knows how...wooh whoooo, Miss Pittypat pass me your smelling salts for I dare say my knees get weak at the thought of it!!! If you’ve read the book, and if you haven’t, I highly recommend you do, there are entire characters in the book that are missing from the movie, Rhett’s wardrobe is portrayed more like a dandy, wearing bright snappy colors and always the latest fashions for Paris, so I’m going to keep that in mind and amp up that purple ascot. His stature in the book is also much bigger (more Cary Grant than Clark Gable actually), but I digress.... I decided to start with his suit jacket since is the largest expanse of his outfit. I wanted something that looks almost knitted so I went with Vineyard Merino in Pale Honey (M-1189) and Glazed Ginger (M-1191). This thread has a tight twist so as you stitch you want to let the needle fall and relax that twist a bit. Because this thread has so much texture, I wanted to keep the stitch relatively subtle, the look of a light tweed and Kennan stitch fit the bill perfectly. The empty space within the stitch leaves a little breathing room to show off the character of this thread and keeps the thread from appearing too heavy. It’s slightly loftier than I would normally use on an 18 count canvas but with that bit of breathing room it works. 

 

When you use lighter coverage stitches you need your thread to be a really good match, otherwise you need a stitch with full coverage. This is kind of the situation I ran into with Scarlett’s bow shown below. I know I’m going to put silk ribbon over this area, so I stitched right over the bow and assume that the silk ribbon on top is going to cover enough of the green you don’t see it peaking through the stitch and even if it does you won’t notice because of the bow’s shadow. 

This is why you can’t stitch areas in a vacuum, because as much as you think each area is their own, they aren’t, the piece is layered and you have to approach it that way. I don’t want to have to deal w this area again later if my silk ribbon bow doesn’t completely cover, might as well fill it in completely now and prevent potential headache later.

With Rhett being dark and handsome, the thread pallet we’ve been using for the other characters’ skin shading won’t do. Rhett is slightly darker, more tan, so I’m going to use the Splendor color card in Bronze (as opposed to porcelain, like the others) to help with shading. I know I’ve talked about the Rain Gallery thread cards before but seriously, having so many skin shades in a single card is so convenient. Choose the correct card for the tone you’re using and it’s like half the work is already done for you. For Rhett’s skin I’m using three strands of colors S1085 for the outlines of his face, S1131 for the shadows, S1085 for the checks, S1083 for the highlights, and S1098 as the majority of his skin tone. I’m using all the colors on the card except the darkest one at the bottom. 

If I do say so myself, the colors for Rhett’s skin are spot on, I especially like the blush color which isn’t too pink. You may notice a little something going on with his nose, as I was stitching, I took one long stitch diagonally down the length of his nose from the upper left to the lower right and then basketweaved over it. It’s a quick and easy way to add just a subtle padding to the peak of the nose. I don’t incorporate this on all of the people I stitch but I felt his nose didn’t have enough definition color-wise, again it’s subtle so I’m not sure if you can even notice it in the picture but sometimes the smallest changes are enough to add a bit of character. Here is that subtle padding before it was all covered up (sorry for the bad quality photo).

And here is our Rhett thus far.:

Next time we’re going to deal with Rhett’s hair. NEVER a strand out of place, even while saving dames in the middle of a burning Savannah. And I’ll finish off his other facial features, mustache,  boutonniere and ascot....oh, what to do??? Don’t you worry your pretty little head, I have some interesting ideas in mind, but like Rhett at the political discussion at the BBQ, I know when it’s time to take my leave.....for now....

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Until next time.....