Well I do declare, it's been a terribly long time
since my last post. I wish I could say I was at a southern plantation doing
research but no such luck, I've been working like a field hand getting my yard
under control before winter sets in.
But who cares about me, let's get back to our
southern bell, Miss Scarlett, in particular let’s talk about her hair. Now I
will admit, stitching hair can be confusing. It's often painted in a single
large block of color which can be a little daunting because it doesn't give you
any real direction on how the stitches should go and this was the case with
Miss Scarlett's. My personal favorite hair moment in Gone with the Wind is
when Scarlett pulls her sister's curl. If I had a sister, I bet I would understand....let's
hope trying to stitch all these hairstyles in this piece doesn't have me
wanting to pull my own hair out! Luckily though, I've tackled a good
amount of hair in my day so I've come up with a few tricks over the years, or
at least things that work for me.
I've found when dealing with hair, my first thought
usually leans towards texture. Do I want it slick, shiny and smooth like the
ladies in those Pantene commercials? Or do I want it a little courser or
thicker? The answer to these questions drive my decision on what thread to use.
If I want Pantene lady, I'll go with something stranded like Splendor as you
can't beat the sheen of stranded silk. If it's a difficult color to match or I
want it a little more flat (like for a mermaid), I'll look at cotton floss or
Floche (although not my favorite). But if I want coarser, bouncy hair, which in
this case I do, I'll go with something with bit of a twist, like Vineyard or
Pepperpot. For Scarlett I'll be using Vineyard Dark Earth #C-042. I find the
color name slightly ironic since the scene before she wears this green dress is
when her father explains that for anyone who is Irish "the land is like
their mother" and that "land is the only thing that lasts". . . earth/land,
they’re the same thing in my book.
If you watch the movie it's hard to see exactly
what's going on with Scarlett's hair in the barbecue dress scenes, I actually
found a few drawings online that I found more helpful than trying to tell from
photographs or the movie. It seems around the temples the hair is pulled back,
which means that the different sections of the hair will be angled in different
directions. When faced with a situation like this, I often find it's easier to
mark it out before stitching. I know some people use the thread they're going
to use to put in directional stitches, but more often I use either a Dritz
Fineline Air Erasable pen (which only works on blondes or light colors since
the ink color is purple), or if the hair is dark, like in this case, I find a
white chalk pencil – like dressmakers use -- especially handy, and unlike the
air erasable, I can mark it one night and come back the next day and decide if
my approach is still on track or if I need to make adjustments. With air erasables
they often fade away in 12-24 hours (depending on humidity) so be forewarned.
The encourage every stitcher to seek out these two products. They last
practically forever, aren't a big investment and you will use keep finding uses
for them.
So in marking off my direction lines, I put lines
near the bows in first, then the long waves and then the lines on the top third
of her head that is being pulled back. As I mentioned, I found a drawing online
very helpful but if this wasn't a movie character with a specific frame of
reference, you could look at google images for inspiration to help you figure
out how to break it up or use the white or blue chalk pencils with a damp clean
cloth or new makeup sponge as the perfect eraser so you can experiment, or you
could use the air erasable and then use the chalk over it once you figure out
what you want. Here is the result of my chalk lines.
A word of friendly advice when you have hair broken
up in different directions. I stitch each area with its own thread. Even if I
have enough left with my working thread, I will often stop that thread and
start again in the fresh area. I know this might sound like unnecessary work
but I do this so if I have an issue in my next area, I can cut/pull it out and
not have to worry about the previous area which I'm already happy with. And
here is progress after a short evening of work.
We all like to think the next area will go as
smoothly but if you encounter a challenge in the next and have to take it out,
you will be glad you put in the 30 seconds of extra effort. And speaking of
which, you may have noticed that my chalk lines in the second picture above is different than what I stitched in the progress picture directly above. I
initially misread the sections directly below the bows. Thankfully, I (mostly)
follow my own advice and I’m glad I did because the stitches in the sections
directly below the bow were "self-contained" so when I figured out my
“misread”, I could take them out and shift gears without much angst in the top
of the head area which I was happy with.
I did the crown of the head with an angled satin.
The areas directly below the bows are done in long and short and the draping
hair areas on the sides were done in a combination of long and short, stem and
split stitch. I like split stitch when trying to create waves because it seems
to make for a smoother transition to change directions to create the
wave. I often put in a few dividing lines and then start filling in, it
keeps my lines from going too far astray. Here is an example of my initial
dividing lines to break it up.
And finally, here is my finished product. Including
eyebrows which I kept pretty simple, as don't need her looking like Brook
Shields circa 1982 . . .
So up next, we're going to tackle that amazing BBQ
dress... and be warned, like the movie, we might need an intermission and do
the dress in two blog posts.
In the meantime, please consider
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episode of our Gone with the Wind extravaganza!